SCENE 01 / COLOR CORRECTION
Color Correction
Professional color correction services ensuring technical accuracy and visual consistency across your entire production.
Color correction is the tech process of evening out and balancing footage. It gives every shot steady exposure, white balance, and tonal range. This first step fixes the gaps left by changing light, mixed cameras, or new shoot setups.
We connect you with colorists and grading suites ready to deliver color correction for your project. Our team handles media prep, session booking, and quality checks. That work gives your footage steady, accurate color and a solid base for creative grading.
Capabilities
Professional Color Correction Services
Technical precision and visual consistency that establishes the foundation for exceptional post-production results.
01
Technical Accuracy
Precise color balance and exposure optimization ensuring professional broadcast standards.
Foundation
02
Shot Matching
Seamless continuity across all scenes, angles, and multi-camera setups.
Consistency
03
Broadcast Standards
Full compliance with technical delivery specifications for all platforms.
Compliance
04
Multi-Platform
Optimized color for cinema, broadcast, streaming, and mobile delivery.
Versatility
Technical Services
Workflow & Standards
Our Color Correction Process
We follow a systematic approach to color correction that ensures technical excellence and visual consistency across your entire project.
Technical Assessment
Our team reviews your footage, spots color issues, and sets a fix order for each scene and shot.
Primary Correction
We balance exposure, remove color casts, and build a steady look across your whole project.
Shot Matching
Careful second passes match shots, scenes, and camera sources so the picture flows well.
QC & Delivery
We check broadcast compliance, run tech QC passes, and deliver corrected masters in the formats you need.
Why Us
Why Choose Our Color Correction
01.
Technical Precision
Accurate color science and a sharp eye for detail shape every frame.
02.
Calibrated Systems
Pro-grade tracking and true-color grading suites back each job.
03.
Efficient Workflow
Streamlined workflows give quick turnaround without cutting quality.
04.
Global Standards
Meeting global broadcast and cinema specs is our standard worldwide.
On Location
Technical colour correction for Peruvian productions
Colour correction is the base layer of any Peruvian finishing pipeline. It is the tech pass that evens exposure, fixes white balance, and matches shots across cameras before any creative grade begins.
Shooting in Peru means our colorists often fight big luminance swings on location. Blown-out altiplano skies sit at 4,800 metres above Cusco and Lake Titicaca. Lima's colonial rooms mix tungsten and fluorescent practicals. Amazon basin shoots in Loreto and Madre de Dios bring deep green-and-shadow contrast. Coastal Paracas and Nazca days add dust-haze diffusion. Working in the calibrated suites at Cinesphere DI Lima, Tondero Post, and Audiovisual Project Perú Post, our team handles ARRIRAW, Sony Venice X-OCN, RED R3D, and ProRes sources through ACES-managed pipelines. Footage from multi-camera shoots then reaches the creative grade balanced, broadcast-safe, and scene-matched.
The tech pass starts with shot-by-shot waveform and vectorscope analysis. Primary corrections then cancel casts and align mid-tones. Next we match angles and scenes so the cut plays with no visible jumps. Sources from ARRI Alexa, Sony Venice, RED Komodo, or Canon C500 bodies are often mixed on the same Peruvian production, thanks to gear flow between Filmotechnik Peru and Cinerental Peru. Each body is then pulled into one working space before any look is applied.
Output is QC-verified against EBU R128 loudness, SMPTE gamut limits, and the tech specs of the target networks or sites. These include Latina, América, ATV, and TV Perú, along with LATAM streamers such as Netflix, Disney+, Movistar Play, and Claro Video. The corrected master then ships with logged compliance and a clean signal base, ready for the colorist to build the creative grade on top.
FAQ
Frequently Asked Questions
What's the difference between color correction and color grading?
Color correction is the tech process of balancing exposure, clearing color casts, and keeping shots even. Grading is the creative step that comes next, where we build set looks and styles. We often fix the color first, so there's a clean base before we add creative grades.
Can you match footage from different cameras?
Yes, we handle footage from many camera systems, each with its own color science. Whether you're mixing ARRI, RED, Sony, or Canon footage, our team balances every source so the shots match across your whole project.
How do you ensure broadcast compliance?
We use pro scopes (waveform, vectorscope, histogram) and auto QC tools to check that every clip meets broadcast-safe levels for your target platform. This covers luminance, chrominance, and gamut checks against specs like EBU R128, SMPTE, and each platform's rules.
What formats and resolutions do you support?
We handle all pro formats, including ARRIRAW, RED R3D, Sony RAW, ProRes, DNxHD, and more, in sizes from HD up to 8K. Our color-managed pipeline keeps color true no matter the source format or delivery spec.
Related Services
Productions in Peru that need this often pair it with Color Grading Services, Look Development Services, and Online Conform & QC Services for full coverage. Most projects also draw on Audio Post-Production Services and Title Design & Credits Services.
On Set
Ready for Professional Color Correction?
Let's ensure your footage looks its absolute best with expert color correction.