Pitch Deck & Treatment Design

Here is how this works in practice. Pitch decks built for the Peruvian market sit at the intersection of creative storytelling and a very specific funding landscape. Applications to DAFO under Ley de la Cinematografía Peruana (Law 26370) for project-based development and production grants, submissions to the Ibermedia regional fund, and conversations with Tondero, Big Bang Films and the global distribution partners drawn by Claudia Llosa's Oscar-nominated Milk of Sorrow and Javier Fuentes-León's Sundance-winning Contracorriente each have their own templates of expectation.

Here is the short of it. Our designers structure narrative, comparable titles, market analysis and financial projections in a sequence that mirrors how DAFO juries, MINCETUR destination partners and Ibermedia evaluators actually read a project, while keeping the deck legible to co-production partners under Peru's bilateral treaties with Argentina, Spain and Brazil.

Here is the breakdown. Each engagement begins with a strategy session covering creative vision, audience positioning and the funding stage you are addressing, followed by a visual design pass that draws on a library of Peru-specific reference material — location plates from Lima, Cusco, the Sacred Valley, Lake Titicaca and the Amazon, plus infographics built around the country's cost advantages, IGV invoicing reality and DAFO competitive-grant calendar.

Here is what that looks like on the ground. We deliver decks within seventy-two hours and offer rehearsal coaching for in-person pitches at the Lima Film Festival's industry strand, the Cusco co-production forums and regional events at Ventana Sur and the Cannes Marché. The result is a document that can carry a Peruvian project from a development meeting in San Isidro through to a Madrid or São Paulo conversation without losing its centre of gravity.