Pitch Deck & Treatment Design

Pitch decks built for the Peruvian market sit where creative storytelling meets a very specific funding world. Each funder reads a project its own way. Applications to DAFO sit under the Ley de la Cinematografía Peruana (Law 26370) and cover project development and production grants. The Ibermedia regional fund runs its own submissions. You also pitch Tondero, Big Bang Films, and the global distributors. Many came here drawn by Claudia Llosa's Oscar-nominated Milk of Sorrow and Javier Fuentes-León's Sundance-winning Contracorriente.

Our designers order the narrative, comparable titles, market analysis, and financial projections into a clear sequence. That sequence mirrors how DAFO juries, MINCETUR destination partners, and Ibermedia evaluators read a project. The deck still reads clearly for co-production partners under Peru's treaties with Argentina, Spain, and Brazil.

Each project opens with a strategy session on creative vision, audience positioning, and your funding stage. Next comes a visual design pass that draws on a library of Peru-specific reference material. It includes location plates from Lima, Cusco, the Sacred Valley, Lake Titicaca, and the Amazon. We also add infographics on the country's cost advantages, IGV invoicing, and the DAFO competitive-grant calendar.

We deliver decks within 72 hours and add rehearsal coaching for in-person pitches. Those pitches happen at the Lima Film Festival's industry strand, the Cusco co-production forums, and regional events at Ventana Sur and the Cannes Marché. The finished deck can carry a Peruvian project a long way. It runs from a development meeting in San Isidro to a Madrid or São Paulo conversation, without losing its focus.