SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services
Transform raw footage into finished, broadcast-ready content. Our post-production team brings both technical skill and creative direction to your project. We cover film, television, and digital media for distribution.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
Our editors cut on Avid and Premiere, with credits across international distributors. They shape Canal+ and Peru Télévisions content into tight narrative pieces.
Visual Finishing
Our Lima facilities staff DaVinci colorists and Nuke compositors. They work in HDR and ACES and meet broadcast-compliant delivery specs.
Audio Perfection
Our rooms include Dolby-certified mixing stages, Foley pits, and ADR booths. From here we deliver audio for cinema, streaming, and broadcast.
Service Catalog
Our Post-Production Services
Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
Our editors are Premiere Pro and Avid pros. They have cut commercials, documentaries, and feature films, from first assembly to final picture lock.
Rough Cut to Final Cut
We work through director notes and revision rounds to a locked timeline. The cut is then ready to finish.
Narrative & Documentary
We shape interview recordings, B-roll, and scripted content into a clear story. Story-first technique drives every cut.
Multi-Cam Sync
We sync multiple camera angles from concerts, panels, and live events. The result is one clean, seamless edit.
Interview & Dialogue
Trimming pauses and smoothing jump cuts, we pull the best takes from long interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
We match your shots and hold exposure and white point steady across the cut. This matters most when footage comes from different lighting and camera systems.
Color Grading
Our colorists grade on DaVinci Resolve and Baselight. They build cinematic looks, from film-style palettes to bright, punchy commercial color.
Online Conform & QC
Final VFX integration runs with automated QC checks for broadcast-compliant delivery.
Look Development
Create pre-production LUTs and style guides that preview your final look on set monitors.
Motion & VFX
Linked ServicesMotion Graphics
Our artists build lower thirds, animated sequences, and infographics in After Effects and Cinema 4D. This work airs on television and runs online.
VFX Compositing
Our compositors work in Nuke and Fusion. They blend green-screen plates with set extensions and invisible effects for seamless live-action shots.
CGI & 3D Animation
Our Maya and Houdini artists create photoreal CGI: environments, character animation, and product shots for commercials and film.
Title Design
Main titles, end crawls, and credit sequences match your project's tone and brand guidelines.
Matte Painting
Our artists paint in Photoshop and 3D software. They build environments, replace skies, and extend sets from your live-action scenes.
Rotoscoping
Users get clean plates because we hand-trace mattes frame by frame, removing actors and unwanted elements for complex composites.
Audio Post
Linked ServicesSound Design
Creating sonic atmospheres, impacts, and textures, we shape the emotional beats and pacing of your story.
Foley Recording
Our Lima Foley team records every on-screen sound, from footsteps to cloth moves to prop noises. Each one tracks the action on screen.
Dialogue & ADR
We clean production audio, replace dialogue, and record Peruvian and English lip-sync.
Music & Scoring
Original scores come from Peruvian composers. We also handle library music supervision and sync licensing.
Mixing & Mastering
We mix in Pro Tools on Dolby-certified stages, with broadcast-compliant loudness metering.
Immersive Audio
We mix in Dolby Atmos, 5.1 and 7.1 for theatrical, streaming, and broadcast. Object and bed placement stays exact.
Audio Restoration
We run iZotope and Cedar to strip hum, wind, traffic, and production noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
We build digital cinema packages with encryption, KDMs, and ingest testing. They play in Peruvian and international theaters.
Broadcast Delivery
Masters meet Peru Télévisions, Canal+, and EBU R128 specs, with full QC reports.
Streaming Platforms
Netflix, Amazon, Disney+, and Apple TV+ deliverables all meet each platform's exact tech specs.
Archival & Preservation
We hold LTO tape archives, checksummed backups, and preservation masters to protect your assets long-term.
Format Conversion
We transcode between ProRes, DNxHD, H.264/265 and legacy formats, and adjust frame rate and resolution as needed.
Why Fixers in Peru
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Broadcast-compliant workflows meet Netflix, BBC, and major platform specs.
02.
Fast Turnaround
Expedited delivery and 24/7 support keep tight deadlines and urgent projects on track.
03.
Creative Partnership
Collaborative from day one, our team works closely with directors and producers to realize your vision.
04.
End-to-End Service
Complete post-production lives under one roof, from ingest to final delivery.
On Location
Post-production finishing for Peru footage
Raw footage from Peru's varied landscapes carries huge look value—the amber dunes outside Ica, the green canopy of the Amazon, the ochre stonework of Cusco. Skilled post work turns that raw material into finished content. Our edit and finishing pipeline handles the dynamic range and color spread of Peruvian locations, from harsh Andean light to the soft haze above the rainforest. We turn rushes from every corner of the country into polished, broadcast-ready deliverables for cinema, television, and digital release.
Lima colourists on calibrated, reference-grade displays — every Andean sky and Amazon green resolved exactly as your director saw it.
Our Video Editing and Rough Cut to Final Cut services shape your material into a strong story, whether you're cutting a feature documentary across many Peruvian regions or a drama series filmed in San Isidro and Pueblo Libre. Our Colour and Grading teams tune each scene to match across setups, reconciling the high sky over Puno with the coastal haze above Lima. Multi-cam sync and Interview & Dialogue editing finish the assembly stage and hand you a seamless cut, ready to polish and ship.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
The full pipeline runs from dailies to final delivery. We cut offline in Avid or Premiere, then move to online conform for VFX. From there it's DaVinci color sessions and Pro Tools sound editorial, with Foley and ADR when a project needs them. The final mix happens on a calibrated stage. We manage every tech handoff, so you never juggle separate vendors. Deliverables come QC'd to spec, whether that's a Netflix IMF, a Peru Télévisions broadcast master, or encrypted DCPs for theatrical.
How long does post-production typically take?
Commercials usually lock in 2-3 weeks, start to finish. Documentaries run eight to twelve weeks, since clearing archives and transcribing interviews takes time. VFX-heavy projects need 16–24 weeks, while dialogue-driven ones move faster. We've pulled off rush jobs when festival deadlines loom, but those cost more and burn people out. Better to set realistic schedules from the start.
Do you handle international deliverables?
Daily delivery to global platforms is routine for us. Each streaming service sets its own tech specs: Netflix wants IMF packages with set audio channel layouts, Amazon runs its own QC, and Apple TV+ needs Dolby Vision. We stay current on all of them. For broadcast, we deliver to the EBU R128 loudness standard that Peruvian and European channels need. Cinema DCPs we test on theater servers before any delivery goes out.
Can you match existing looks or brand guidelines?
Our colorists work from LUTs, CDLs, and reference stills. They match seasons, hold brand colors steady, and mirror a director's reference look. Calibrated monitors in the suite give true viewing conditions, so you see your OK'd content as it will look in a theater. For series, we build show LUTs that stay consistent across episodes and seasons.
What formats can you work with?
Everything current runs through our pipeline: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in all flavors. We also handle legacy formats when archive material enters the cut, like digibeta, HDCAM SR, and even film scans. The Lima facilities we partner with keep both modern gear and the older decks, ready when you need them.
On Set
Ready to Finish Your Project?
Tell us about your project. We'll deliver broadcast-ready masters, on time and on budget.