SCENE 01 / EQUIPMENT SERVICES
Film Equipment
Pro cinema cameras, lighting, audio, and grip kit for shoots across Peru.
We rent a full range of film gear from top brands. Our inventory covers cinema-grade cameras, sharp lenses, modern lighting rigs, pro audio, and specialty gear for tricky shoots.
From RED and ARRI cinema cameras to Zeiss and Cooke lenses, our kit spans the tools top shoots rely on. We back every ARRI SkyPanel light and Sennheiser audio rig with 24/7 tech support.
Service Highlights
Cinema-Grade Equipment
Latest RED, ARRI, and Sony cinema cameras with precision optics from Zeiss, Cooke, and Canon.
Complete Lighting Systems
Professional LED, HMI, and tungsten lighting with full grip and power distribution solutions.
Professional Audio Gear
Location sound packages, wireless systems, and tracking gear from industry leaders.
Equipment Categories
Camera Equipment
Lima rental houses stock ARRI Alexa, RED V-RAPTOR, Sony VENICE, and Blackmagic packages. Each body pairs with Zeiss, Cooke, or Angenieux lenses.
View Camera EquipmentLighting Equipment
Lighting kits include ARRI SkyPanels, M-series HMIs, Aputure LEDs, and tungsten practicals. Peruvian grip houses back them with stands, flags, and diffusion.
View Lighting EquipmentAudio Equipment
We stock Sennheiser, Lectrosonics, and Wisycom wireless systems plus Sound Devices recorders, all prepped for Peruvian RF conditions.
View Audio EquipmentMonitoring Equipment
Our crew runs SmallHD, Atomos, and Sony reference monitors for on-set review. Wireless HD links feed client video villages.
View Monitoring EquipmentPower Solutions
We supply quiet generators for off-grid sites, plus lithium battery systems and distro boxes. All of it meets Peruvian power standards.
View Power SolutionsVehicles & Rigs
Our fleet includes Peruvian-registered insert cars, tracking vehicles, camera cranes, and production vans. They work well in both city and rural terrain.
View Vehicles & RigsGrip Equipment
Peruvian grip houses supply dollies, jibs, track systems, and rigging gear. This kit serves both studio builds and outdoor location shoots.
View Grip EquipmentData Management
DIT carts give live color preview, LUT management, and redundant backups. These setups support 8K and RAW workflows on location.
View Data ManagementCommunication Systems
For Lima and regional coordination, we run Clear-Com, Motorola, and Bolero systems. They work on frequency-cleared channels.
View Communication SystemsHow We Work With You
Our equipment rental process is designed to provide seamless service from consultation through production wrap.
Equipment Consultation
Our team reviews your production plan and picks gear that fits both the shoot and the budget.
Package Preparation
Our crew preps and tests every item before your shoot. That covers charging batteries, preparing media, and building backups.
Delivery & Setup
We deliver to your location and give setup help plus walkthroughs for any unfamiliar gear.
On-Set Support
Our team runs round-the-clock tech support and swaps failed gear the same day in Lima.
Why Us
Why Choose Our Equipment Services
01.
24/7 Technical Support
We run phone support all day and send technicians out to your set when needed. Same-day gear swaps are ready in Lima and other major Peruvian cities.
02.
Complete Packages
Every rental ships with batteries, media, cables, and backup units, all tested for your shoot.
03.
Delivery & Setup
Truck delivery reaches any Peruvian location. Our technicians build your package on-site before your crew arrives.
04.
Premium Quality
Our cameras and lenses stay current, with regular servicing, fresh firmware, and no signs of hard rental use.
On Location
Cinema equipment for every Peru location
Filming across Peru demands gear that holds up in every condition. That runs from sea-level humidity on the Pacific coast to thin air on the Altiplano above Puno. From the wet heat of the Amazon near Iquitos, conditions swing to the dry cold of Andean nights around Cusco. We keep and test our inventory for that full site-level range. Our logistics team delivers to hubs in Lima, Arequipa, Trujillo, and Piura, plus remote spots reached by road or light aircraft.
Inventory prepped for Altiplano cold, Amazon humidity, and Lima coastal haze — gear that performs wherever your shot lives.
Cinema-Grade Gear packages bundle camera bodies, lenses, and support built for tough shoots. Complete Lighting Systems cover LED, HMI, and tungsten rigs, sized for interior sets and open-air locations alike. Professional Audio Gear handles everything from quiet Lima studios to tricky recording on wind-swept highland terrain. Grip kit and Vehicles & Rigs round out the inventory. They give you the muscle to mount cameras and move them safely across Peru's varied landscapes.
FAQ
Frequently Asked Questions
What equipment do you have available?
We pull from TSF, Panavision Lima, RVZ, and other major Peruvian rental houses. Today's stock includes the ARRI Alexa 35 and Mini LF, RED V-RAPTOR and Komodo, and the Sony VENICE 2 body. Lenses run the full range, from Zeiss Supreme to Cooke S7 to Angenieux zooms. Lighting spans ARRI SkyPanel X, M-series HMIs, and Astera tubes. For audio, we carry Lectrosonics, Wisycom, and Sound Devices. If it sees pro use, we can get it.
Do you provide technical support during the shoot?
We give phone support on every package, and our technicians come to set to build trickier rigs. Camera prep happens the day before. The AC team is ready for the shoot, and we never send untested gear. If a unit fails on the day, Lima rental houses can usually swap it same-day. Regional shoots are harder, so we pack backup gear for anything mission-critical.
Can you create custom equipment packages?
That's the default. DPs spec their camera packages, gaffers pull their lighting orders, and sound mixers pick their wireless frequencies. We coordinate across departments so it all works together. That means matching power draw to pack capacity, confirming lens coverage for the sensor, and keeping wireless audio and video from clashing. The package fits the show, not the other way around.
What is included with equipment rental?
Batteries come charged and tested, media cards arrive formatted, and cables and adapters cover whatever you plug into. Cases handle transport, and we add expendables like gels and diffusion on request. We keep backup camera bodies and backup audio transmitters ready. That gear saves the day when Murphy's Law strikes. Setup help and walkthroughs cover any crew new to a piece of kit.
How does pricing and insurance work?
Peruvian rental houses charge daily rates, with weekly discounts that kick in around the fourth or fifth day. We quote in USD, all-in apart from damage waivers. Gear needs production insurance, and most global policies work. Peruvian houses just need to see the certificate before releasing it. Deposits vary: basic packages need little or none, while high-value lenses and specialty items call for more.
On Set
Need Equipment for Your Production?
Get a custom gear package built for your shoot.