Professional Video Editing Services

Here is how this works in practice. Video editing in Peru sits inside a film and broadcast ecosystem that has grown sharply over the last decade — Tondero's Asu Mare features reset the domestic box-office record, Claudia Llosa's La Teta Asustada earned an Oscar nomination, and a steady documentary custom runs from Heddy Honigmann through to the Festival al Este de Lima programme.

Here is the short of it. Editors trained at PUCP and Universidad de Lima, with post-prod training reinforced at Toulouse Lautrec, work across feature, television, and brand projects commissioned by Latina, América, ATV, Panamericana, TV Perú, and Willax, alongside sites deliveries for Netflix LATAM, Amazon Prime LATAM, Disney+ LATAM, Movistar Play, and Star+.

Here is the breakdown. Our edit coordination secures suite-time at Cinesphere DI Lima, Tondero Post, Audiovisual Project Perú Post, La Mecha Post, Cine Lab Lima, and Filmotechnik Peru post, then manages ingest, proxy creation, and project setup so editors begin cutting on a properly logged timeline within hours of footage landing in Lima — the operational rhythm Peruvian production has come to expect from its post-prod partners.

Here is what that looks like on the ground. Editors work across Avid Media Composer — the Latina, América, and ATV TV networks standard — Adobe Premiere Pro for commercial and digital projects, DaVinci Resolve where the finishing path is colour-led, and Final Cut Pro X for fast digital turnarounds destined for social and sites deliveries. The pipeline handles ARRIRAW, RED R3D, Sony X-OCN, Canon Cinema RAW Light, ProRes, DNxHD, and the H.264 and H.265 deliverables needed for sites delivery, with 4K and HDR pipelines supported throughout.

Here is how the picture comes together. AAF, EDL, and XML hand-offs to Cinesphere DI for colour, or to the appointed sound house for mix, are integrated from the first day of edit, and DAFO clearance work under Ley 26370 runs in parallel where Ibermedia or bilateral co-production funding applies. Remote review via Frame.io fits Lima, Cusco, and overseas working hours, picture-locked timelines arrive with full conform metadata intact, ANACTP-coordinated talent terms are honoured, IGV 18% is itemised cleanly across every edit invoice, and the engagement closes ready for downstream finishing.