Motion Graphics

Peruvian motion graphics draws on a Lima creative scene centered in Barranco and Miraflores. There, boutiques like Pequeña Plaga and Origami Studio work beside the motion-design teams inside the larger post houses. Cinesphere VFX, Tondero VFX, Audiovisual Project Perú and La Mecha Post all run in-house motion teams that handle complete graphics packages.

Talent pipelines through PUCP, Universidad de Lima, Toulouse Lautrec and IPP Lima feed a designer pool fluent in Spanish and English. For Andean-region releases, the team also handles Quechua and Aymara typesetting. That work follows the diacritics, vowel-length markers and proper-name rules those languages need.

Our planning matches each brief to the right team for the shape of the work. That might be a title-sequence partner for a Tondero comedy feature in the Asu Mare lineage. It could also be a broadcast-graphics package for a Latina, ATV, América Televisión or Panamericana broadcast. Other jobs need infographics for a documentary on Peruvian heritage tied to a Festival de Lima or Festival al Este premiere. Some call for a branded-content package for the capital's fashion, gastronomy and luxury sectors, served by agencies that work with Pisco, Inca Kola and the wider Andean consumer-brand market.

The work runs on Adobe After Effects for 2D motion and design, plus Cinema 4D and Maya for 3D animation. Houdini steps in when the brief needs procedural simulation or particle work. Substance Painter feeds textured 3D type, and Unreal Engine 5 covers real-time tie-ins on virtual production. Episodic graphics packages are built as flexible template systems, so a series keeps a consistent look across episodes while meeting week-by-week needs. We work straight from existing brand guidelines or build new identities when the production needs a custom system.

Title sequences for theatrical features and streaming originals ship alongside lower thirds and broadcast graphics for the Peruvian TV networks. We add social-cut versions for use beyond the primary sites, plus captioned versions where accessibility rules call for them. Turnaround scales with complexity — lower thirds in days, full title sequences in weeks — and rush jobs are handled by adjusting team size on the Lima side. Final delivery covers ProRes masters, DCP elements, IMF packages and the APDAYC music-rights forms needed where licensed scores go with the design.