Contract Management Services

Contract work on Peruvian shoots sits where several rules meet. These are the Ley de la Cinematografía Peruana (Law 26370), DAFO's grant and recognition regime, Peru's general labour code under SUNAFIL, and the IGV value-added-tax duties that touch each vendor invoice. Our team works with Lima-based entertainment lawyers who run the contract files for Tondero Producciones, Big Bang Films, and the wider commercial scene. They also know the fine points of Andean Community labour rules for crew brought in from Colombia, Bolivia, Ecuador, Chile, and Argentina.

We draft crew agreements set to local rates, plus talent contracts that respect ANACTP performer conventions and SIAE-equivalent rights handling. We also prepare vendor service agreements and location releases for shoots at sites under Ministerio de Cultura, INC, SERNANP, or city control. This includes the strict heritage filming agreements that Machu Picchu, Chan Chan, and Caral need before production can step onto site.

Our process starts with a contract needs scan against the script, schedule, and locations. We list every agreement the production needs — crew deals, talent contracts, location releases, gear rentals, post-prod vendor agreements, and co-production forms tied to Peru's bilateral treaties with Argentina, Spain, Brazil, and the Ibermedia regional fund. We then build a master schedule that tracks signatures, payment milestones, and rights handovers. Standard agreements turn around in twenty-four hours. Tricky co-production or distribution contracts take two to five business days through partner counsel.

Risk reviews cover SUNAFIL labour code rules, IGV invoicing, heritage-site indemnities, and force-majeure clauses tuned to the altitude and weather in the Andes and Amazon. They also cover dispute resolution under the Peruvian civil code. Each contract is stored centrally with version control. The production then reaches principal photography with a paper trail that stands up to financier and insurer checks.