Motion Control Services

Here is how this works in practice. Motion control rigs answer a specific and demanding need: identical, frame-accurate camera moves repeated across multiple passes for VFX compositing, multi-element photography, automotive tabletops and the high-end product cinematography commissioned out of Lima for Inca Kola, Pilsen Callao, Cusqueña, Pisco Tabernero, Pisco Portón, Backus, Field, Gloria, Tottus, Plaza Vea and Wong.

Here is the short of it. Peru does not hold a permanent inventory of large-format motion-control systems — Mark Roberts Milo, Bolt and Bolt X arms are imported per project from Filmotechnik São Paulo, Cinesphere Buenos Aires or Argentine brokers, with our crew setting up the ATA Carnet, SUNAT clearance and DGAC paperwork through Jorge Chávez to land the rig in Lima for the shoot window. Smaller tabletop systems and Modula-class multi-axis sites are ready in the capital itself through APU Productions, Chita Films, GoPeruFilms and the specialty rental brokers serving the city's commercial sector around San Isidro and Miraflores, and pair naturally with the Russian Arm, Techno Crane and Shotover heads these companies hold for automotive and beverage briefs.

Here is the breakdown. Pre-visualisation sits at the heart of the workflow because every imported-rig day on the floor is expensive. Our crew programmes camera paths in software, times them against animatics and signs them off before stage time is consumed. This lets DPs and clients refine moves before talent or product arrives at the Lima soundstage.

Here is what that looks like on the ground. On the day, frame-accurate repeats deliver every pass the VFX team needs — hero takes, clean plates, lighting passes, multi-pass element photography, time-slice sequences and matched moves — with motion data, camera tracking metadata and lens metadata exported alongside the footage as OpenEXR or ProRes deliverables. Our team integrates directly with Lima's VFX houses — Makaco, Maneki Studio and Gamma Post House — and aligns schedules with DAFO and Ministerio de Cultura registration, IGV 18% invoicing, ANACTP-aligned crew rates and the competitive non-union 12-to-14-hour day Peru offers.

Here is how the picture comes together. Operators come from the Lima commercial pool with credits across pisco and beer campaigns, Inca Kola and Backus tabletops, retail spots for Tottus and Plaza Vea and the Latin American brand work that fills the schedule between feature and series visits.