SCENE 01 / LOCATION SOUND PACKAGES
Location Sound Packages
Complete production sound kits for your Peruvian production.
Location sound packages bundle the key recording gear for field work into ready-to-use kits. Most kits hold recorders, microphones, boom poles, wireless systems, and tracking gear. Each part is set up to work together and hold up well on real shoots.
We build and deliver full sound packages shaped to your production size and shooting conditions. Our team works with skilled audio suppliers, so each part is tested, matched, and ready the moment your crew reaches the location.
Capabilities
Sound Equipment
Complete location sound solutions from recorders to wireless systems.
Professional Sound Solutions
Capabilities
Our Process
Requirements Review
We review your production's sound needs, track count, and technical setup.
Package Design
We build a full sound package matched to your production size and scope.
Prep & Testing
We prep and test all gear, then plan frequencies for your locations.
Production Support
We provide technical support, spare gear, and backup gear across your shoot.
On Location
Complete location sound kits prepped for Peruvian shoots
Location sound packages in Peru come together through a small group of trusted Lima suppliers. These include Audiovisual Project Perú's audio division, El Niño Rentals, Sound Service Perú, and Audio Pro Perú, along with the personal carts of senior Peruvian production sound mixers who own their core recording rigs.
A standard narrative bag-kit pulls a Sound Devices 833 or 888 multi-track recorder and four to eight Lectrosonics SRc or SMQV wireless channels with DPA 4060 or Sanken COS-11D lavalier capsules. It adds a Sennheiser MKH 416 boom rig on a K-Tek pole with a Rycote Cyclone windscreen, plus Wisycom MCR54 receivers for the long-range work that Sacred Valley altitude exteriors and Amazon canopy interiors demand. Larger shoots step up to Zaxcom Nova or Maxx cart setups with twenty-plus wireless channels tuned for ensemble drama. Each kit is prepped at the Lima rental house, frequency-scanned for the shoot location, and delivered with spare batteries, replacement lavs, and the consumables a recordist burns through across a two-week schedule.
Our team handles the MTC frequency licensing. Peru's Ministerio de Transportes y Comunicaciones requires permits for high-power wireless and dense channel counts, and our team plans the range alongside any wireless video, IFB, or communications also running on set. Recording media, NP1 batteries, sled chargers, and the Lectrosonics SRc dual-channel slot adaptors travel with each package. Peruvian sound mixers trained alongside DPs like Inti Briones, Mario Bassino, and Roberto Maceda Kohatsu can be booked with the gear, so the chain arrives fully staffed.
Bag-kit setups ship for ENG and documentary work across Iquitos, Tambopata, and the Andean highlands. Cart setups stay with scripted shoots based at Tondero Studios or extended location bases in Cusco. Technical support runs across the shoot day, and backup recorders, wireless transmitters, and boom capsules stay ready for the whole schedule.
FAQ
Frequently Asked Questions
What's included in a complete sound package?
A full package holds a recorder/mixer (such as the Sound Devices 8-series), wireless systems for your cast, a boom microphone and pole, a sound bag or cart, cables, batteries, and every needed accessory. We size each package to your production needs.
What recorders do you stock?
We stock the Sound Devices 8-series (833, 888) for pro multi-track recording, the MixPre series for smaller shoots, and Zaxcom Deva and Maxx systems. All of them give great sound quality and stay reliable.
How many wireless channels can you provide?
We can supply as many wireless channels as you need, from a single lav to dozens for large cast shoots. Our team runs Lectrosonics, Wisycom, and Sennheiser systems with proper frequency planning.
Can you provide a production sound mixer?
Yes. We work with skilled Peru production sound mixers and boom operators. Local sound pros run the gear well and know Peru shooting conditions first-hand.
What about frequency coordination?
We set all wireless frequencies to match Peru rules and your location's RF environment. Our team scans each site and assigns clean frequencies, which keeps the wireless reliable.
Do you offer bag kits vs cart setups?
Yes. We offer bag-based kits for mobile ENG and documentary work, plus cart setups for narrative shoots with more complex mixing. We build the right setup for your shooting style.
Related Services
Productions in Peru that need this often pair it with Boom Microphones, Wireless Microphone Systems, and Audio Monitoring Equipment for full coverage. Most projects also draw on Sound Recordist Teams and Audio Equipment Rental.
On Set
Need Location Sound?
Tell us about your sound requirements and we'll build the right package.