
SCENE 01 / LOCATION SOUND PACKAGES
Location Sound Packages
Complete production sound kits for your Peruvian production.
Location sound packages bundle the essential recording equipment needed for field production into cohesive kits. These packages typically include recorders, microphones, boom poles, wireless systems, and monitoring gear, configured to work together reliably in real-world shooting environments.
We assemble and deliver complete location sound packages customized to your production scale and shooting conditions. Our team works with experienced audio suppliers to ensure every component is tested, compatible, and ready for use when your crew arrives on location.
Capabilities
Sound Equipment
Complete location sound solutions from recorders to wireless systems.
Professional Sound Solutions
Capabilities
Our Process
Requirements Review
Understanding your production's sound needs, track count, and technical requirements.
Package Design
Building a complete sound package matched to your production scale and complexity.
Prep & Testing
Thorough prep and testing of all equipment with frequency coordination for your locations.
Production Support
Technical support, additional equipment, and backup gear available throughout your shoot.
On Location
Complete location sound kits prepped for Peruvian shoots
Here is how this works in practice. Location sound packages in Peru come together through a small group of trusted Lima suppliers — Audiovisual Project Perú's audio division, El Niño Rentals, Sound Service Perú, Audio Pro Perú, and the personal carts of senior Peruvian production sound mixers who own their core recording rigs.
Here is the short of it. A standard narrative bag-kit pulls a Sound Devices 833 or 888 multi-track recorder, four to eight Lectrosonics SRc or SMQV wireless channels with DPA 4060 or Sanken COS-11D lavalier capsules, a Sennheiser MKH 416 boom rig on a K-Tek pole with Rycote Cyclone windscreen, and Wisycom MCR54 receivers for the long-range work that Sacred Valley altitude exteriors and Amazon canopy interiors demand. Larger productions step up to Zaxcom Nova or Maxx cart configurations with twenty-plus wireless channels set up for ensemble drama. Every kit is prepped at the Lima rental house, frequency-scanned for the shoot location, and delivered with spare batteries, replacement lavs, and the consumables a recordist burns through across a two-week schedule.
Here is the breakdown. Our team handles the MTC frequency licensing — Peru's Ministerio de Transportes y Comunicaciones needs permits for high-power wireless and dense channel counts — and sets up the range alongside any wireless video, IFB, or comms also running on set. Recording media, NP1 batteries, sled chargers, and the Lectrosonics SRc dual-channel slot adaptors travel with each package, and Peruvian sound mixers trained alongside DPs like Inti Briones, Mario Bassino, and Roberto Maceda Kohatsu can be booked with the gear so the chain arrives staffed.
Here is what that looks like on the ground. Bag-kit configurations ship for ENG and documentary work across Iquitos, Tambopata, and the Andean highlands, while cart setups stay with scripted productions working out of Tondero Studios or extended location bases in Cusco. Technical support runs throughout the shoot day. Backup recorders, wireless transmitters, and boom capsules stay ready across the schedule.
FAQ
Frequently Asked Questions
What's included in a complete sound package?
A complete package includes a recorder/mixer (such as Sound Devices 8-series), wireless systems for your cast, boom microphone and pole, sound bag or cart, cables, batteries, and all necessary accessories. We scale packages to your production needs.
What recorders do you stock?
We carry Sound Devices 8-series (833, 888) for professional multi-track recording, MixPre series for smaller productions, and Zaxcom Deva and Maxx systems. All offer excellent sound quality and reliability.
How many wireless channels can you provide?
We can provide as many wireless channels as your production requires—from a single lav to dozens of channels for large cast productions. We use Lectrosonics, Wisycom, and Sennheiser systems with proper frequency coordination.
Can you provide a production sound mixer?
Yes, we work with experienced Peru production sound mixers and boom operators. Having local sound professionals ensures proper equipment operation and familiarity with Peru shooting conditions.
What about frequency coordination?
We coordinate all wireless frequencies with Peru regulations and your location's RF environment. Our team scans locations and allocates clean frequencies to ensure reliable wireless performance.
Do you offer bag kits vs cart setups?
Yes, we offer both bag-based kits for mobile ENG/documentary work and cart setups for narrative productions with more complex mixing requirements. We configure the right setup for your shooting style.
Related Services
Productions in Peru that need this often pair it with Boom Microphones, Wireless Microphone Systems, and Audio Monitoring Equipment for full coverage. Most projects also draw on Sound Recordist Teams and Audio Equipment Rental.
On Set
Need Location Sound?
Tell us about your sound requirements and we'll build the right package.