
SCENE 01 / BOOM MICROPHONES
Boom Microphones
Professional shotgun microphones and boom equipment for your Peruvian production.
Here is how this works in practice. Boom microphones are key for capturing clean dialogue and ambient sound on set. These directional microphones, mounted on extendable poles, allow operators to position the mic close to talent while keeping it out of frame, delivering focused audio pickup with minimal background interference.
Here is the short of it. We give access to a range of pro boom microphone systems. This includes shotgun mics, hypercardioid capsules, and lightweight boom poles suited to your shooting conditions. Our team sets up delivery and backup gear to keep your sound department operating smoothly across production.
Capabilities
Boom Equipment
Industry-standard shotgun microphones, professional boom poles, and complete accessories.
Professional Boom Solutions
Capabilities
Our Process
Sound Requirements
Knowing your production's dialogue recording needs, locations, and acoustic challenges.
Equipment Selection
Recommending the optimal microphones and accessories for your specific shooting conditions.
Prep & Testing
Thorough testing and preparation of all boom gear before delivery to your production.
Production Support
Tech support and backup gear ready across your shoot.
On Location
Boom microphones built for Peruvian dialogue work
Here is how this works in practice. Boom microphone work in Peru lives between several very different acoustic worlds — the reverberant courtyards of a Casa de Aliaga or Convento de Santo Domingo INC-controlled location, the open Andean air of a Sacred Valley exterior at 3,000 metres where thermal winds rise off the Urubamba by mid-morning, and the dense humid pressure of a Tambopata or Manú jungle interior.
Here is the short of it. Our inventory carries more than fifty shotgun mics across the configurations Peruvian production sound mixers actually call for: the Sennheiser MKH 416 as the workhorse for different Lima coastal exteriors and Cusco plaza work, the Sennheiser MKH 8060 where directionality counts inside a tight Barranco interior, and the Sanken CS-3e where off-axis rejection matters on a busy Miraflores street. Boom poles run from two-metre travel units up to six-metre full-reach K-Tek and Ambient builds with internal cable routing, sourced primarily through Audiovisual Project Perú and El Niño Rentals and prepped at our the capital site before delivery.
Here is the breakdown. Wind protection is paired to the actual location forecast. Rycote Cyclone and Cinela Pianissimo kits for the Andean cold and Sechura desert gusts, lighter Softie covers for the controlled interiors at Tondero Studios and Lima soundstages, sealed bags for the Amazon humidity that punishes electronics from November through April. Each booking ships as a complete boom package: microphone, pole, shock mount, windscreen, XLR cabling, and the accessory loadout the boom op needs to swap configurations between scenes without leaving set.
Here is what that looks like on the ground. Backup capsules travel with longer schedules so a failed transformer on a MKH 416 mid-week at 3,400 metres in Cusco does not stall the recording chain. PUCP-trained boom operators are bookable alongside the gear. Tech support runs through the shoot day across Lima, the city, Arequipa, and the regional unit bases that Peru's Sacred Valley and Amazon features tend to spread across.
FAQ
Frequently Asked Questions
Which shotgun mic do you recommend?
Here is the breakdown. The Sennheiser MKH 416 stays the industry standard for its versatility and reliability in many conditions. For quieter interiors, the Schoeps CMIT 5U gives top clarity. The Sanken CS-3e is great for reducing off-axis noise in challenging locations.
What boom pole lengths are available?
We stock boom poles from 2m to 6m in many configurations. Most shoots use 3-4m poles for standard work. We recommend K-Tek and Ambient poles with internal cable routing for clean, pro operation.
What wind protection do you provide?
We give complete windscreen systems from Rycote and Cinela suitable for any conditions—from light interior air movement to heavy exterior wind. Our kits have appropriate fur covers for the conditions you'll encounter.
Can you provide complete boom kits?
Yes, we give fully equipped boom packages including microphone, pole, shock mount, windscreen, cables, and all needed accessories. Kits are prepped and tested before delivery.
Do you offer backup equipment?
Yes, we recommend and can give backup microphones and key accessories for longer shoots. Having backup gear protects your production against any gear issues.
What about interior vs exterior mics?
While some shoots use different microphones for interior and exterior work, modern shotguns like the MKH 416 and CS-3e perform well in both environments. We can advise on the best way for your specific needs.
Related Services
Productions in Peru that need this often pair it with Location Sound Packages, Wireless Systems, and Wireless Microphone Systems for full coverage. Most projects also draw on Camera Equipment Rental and Boom Operators.
On Set
Need Boom Equipment?
Tell us about your sound requirements and we'll provide the right boom package.