
SCENE 01 / LENS FILTERS
Lens Filters
Professional cinema filters for your Peruvian production.
Lens filters are optical accessories that modify light entering the camera, controlling exposure, contrast, reflections, and color temperature. Professional filter sets including NDs, polarizers, diffusion, and effects filters give cinematographers precise creative control over the image at the point of capture.
We provide access to professional lens filter sets matched to your lens diameters and creative requirements. Our team sources filters from reputable suppliers, ensuring optical quality that meets cinema standards while coordinating delivery alongside your camera and lens package.
Capabilities
Filter Inventory
Comprehensive selection of ND, diffusion, and effects filters from top manufacturers.
Professional Filter Solutions
Capabilities
Our Process
Creative Discussion
Understanding your visual approach and the look you want to achieve with your project.
Filter Selection
Recommending filters based on your camera, lenses, and artistic requirements.
Testing
Testing filter combinations with your specific camera and lens package before production.
Production Support
Additional filters and alternatives available throughout your shoot.
On Location
Cinema filter sets matched to Peruvian altitude and humidity
Here is how this works in practice. Filter inventory in Peru runs through Audiovisual Project Perú and El Niño Rentals in Lima, with Filmtek Perú, Cinesphere Rentals, and Tondero Rentals filling in when a Sacred Valley feature block overlaps with a the capital commercial shoot or a Madre de Dios documentary push.
Our team books full 4x5.65 and 6.6x6.6 trays through these houses — Tiffen IRND sets from 0.3 through 2.1 with the infrared cut that the ARRI Alexa Mini LF and Sony Venice sensors need above 3,000m where Andean UV and IR pollution skew the range, Schneider True-Polarizer and warm Black Pro-Mist 1/8 through 1, Tiffen Glimmerglass and Black Frost, and the Tiffen Mist Magic and Schneider Hollywood Black Magic sets that the colourists at Cine Lab Lima and La Mecha test against the show LUT before prep day.
Here is the short of it. Variable NDs and grad NDs from Tiffen and Schneider sit alongside circular and linear polarizers for the Sechura desert and Pacific coast Lima reflections. The Andean UV cuts get pulled for any exterior block in Cusco, Puno, or the Colca Canyon where the sun load at 3,400m+ blows out highlights faster than the Tiffen IRND alone can cope with.
Here is the breakdown. Each tray ships with a signed prep sheet from Audiovisual Project Perú or El Niño Rentals — every filter cleaned with Pec-Pad and ROR, inspected under raking LED for scratches, edge-marked for the matte box slot order, and bagged with silica gel for the Madre de Dios humidity run when productions push from Lima out to the Tambopata or Manú lodges.
Here is what that looks like on the ground. Bright Tangerine Misfit Atom and ARRI LMB 4x5 matte boxes travel with the filter set and the lens kit so the AC stages the trays in shot order on the cart. Our team pre-routes the SUNAT ATA carnet through Jorge Chávez customs with the broker we keep on retainer for global filter packages flying in from LA or London.
Here is how the picture comes together. SERNANP heritage paperwork covers any filter swap on Manú, Tambopata, and Paracas reserve days, INC and Ministerio de Cultura permits cover Machu Picchu and the Sacred Valley archaeological zones, and a 24-hour replacement run out of Lima — driven up to Cusco by Latam Cargo or down to Trujillo and Arequipa by overnight courier — keeps the tray complete if a polariser cracks on a the valley dolly day or the Black Pro-Mist 1/2 picks up a the capital humidity bloom that won't clean off.
FAQ
Frequently Asked Questions
What ND filter densities do you stock?
We carry a full range of ND filters from 0.3 (1 stop) through 2.1 (7 stops), plus variable NDs and graduated NDs. We stock both standard ND and IRND filters to control infrared when shooting with digital cameras.
Which diffusion filters do you recommend?
The most popular choices are Tiffen Black Pro-Mist and Schneider Classic Soft for subtle skin smoothing without losing sharpness. Glimmerglass adds halation to highlights. We can test options with your camera to find the right look.
Do you have 4x5.65 and 6.6x6.6 sizes?
Yes, we stock filters in both standard cinema sizes—4x5.65 for most matte boxes and 6.6x6.6 for larger format work. We can match filters to your matte box system.
What polarizer options are available?
We offer circular polarizers in various sizes for reducing reflections and enhancing skies. We also have linear polarizers for specific effects. Our team can advise on the right polarizer for your camera system.
Can you provide matte boxes with filters?
Yes, we supply matte boxes from ARRI, Bright Tangerine, and others, configured with the filter stages you need. Matte boxes can be matched to your lens package for optimal performance.
Do you offer filter testing?
Yes, we recommend testing diffusion and effects filters with your specific camera and lenses before production. We can arrange testing time to help you find the right combination.
Related Services
Productions in Peru that need this often pair it with Cinema Lens Kits, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Camera Operator.
On Set
Need Lens Filters?
Tell us about your visual requirements and we'll recommend the right filters.