
SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Peruvian production.
Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control and steady color, plus the optical traits that shape a project's visual texture and depth.
We set up lens kit rentals matched to your cinematographer's taste and your camera's mount. Our team works with local rental houses to build complete lens packages, and we book prep time for testing so backup options are ready if you need them.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
We learn your creative vision, camera format, and the look you want to reach.
Lens Selection
We suggest lens packages that fit your visual style, budget, and tech needs.
Prep & Testing
Full lens prep that covers cleaning, testing, and matching to your camera system.
Production Support
Tech support, lens swaps, and spare glass ready across your shoot.
On Location
Curated cinema glass from Lima rental houses for Peruvian productions
Cinema lens inventory in Peru sits mainly with Audiovisual Project Perú, El Niño Rentals, and Filmtek Perú in Lima. Cinesphere Rentals, Tondero Rentals, and RentCam Perú fill the gaps when a Sacred Valley feature overlaps with a capital commercial week or a Pisco-region series block.
Our rental team builds the full prime and zoom run across that network. It covers Cooke S7/i, S8/i, and Cooke Anamorphic/i full sets, Zeiss Supreme Primes and Master Anamorphic, and the Master Prime range. The list also spans ARRI Signature Primes with the Signature Zoom 16-32 and 24-75, Atlas Orion, and the new Atlas Mercury full-frame anamorphic. For the vintage glow on Peruvian period work, we add Sigma Cine FF Classic Prime and High Speed, Tribe7 Blackwing X1/X2/X3, and the rehoused Cooke Speed Panchro glass that Lima DPs and PUCP-trained operators reach for when an Inca-period or República-era block needs softer fall-off.
Full-frame coverage for the ARRI Alexa 35, Alexa Mini LF, Sony Venice 2, and Sony Burano runs alongside Super 35 sets. Angenieux Optimo, Fujinon Premista, and ARRI Signature zoom inventory round out the package list for handheld and Steadicam blocks.
Each kit leaves the prep bench at Audiovisual Project Perú or El Niño Rentals with a signed projection chart, back-focus collimation across each focal length, and /i Technology and Cooke /i metadata checked against the camera body. The T-stop tracking is logged on the prep sheet, and the matte box and follow-focus cabling are staged to match. Preston FI+Z, cmotion cPRO, and ARRI WCU-4 wireless units are paired to the lens motors before the truck leaves the warehouse.
The ATA carnet forms clear Jorge Chávez customs through the SUNAT broker we keep on retainer. INC and Ministerio de Cultura permits cover heritage zones at Machu Picchu, Ollantaytambo, and Pisac, SERNANP authorisations cover the Manú, Tambopata, and Paracas reserves, and DAFO sign-off covers the Sacred Valley and Lima production blocks. Spare prime sets and zoom spares stage at Cinesphere Rentals or Filmtek Perú for the 24-hour swap window if a lens picks up Andean dust or Amazon humidity haze. The Peruvian Cinematographers community handles on-set lens-flare advice when DPs want to push the anamorphic flare against the Sechura desert sun or the capital coastal grey.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Most sets run from 18mm to 135mm, and we keep wider and longer options ready.
Do you have large format lenses?
Yes. We stock full-frame lenses such as ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage large format sensors need.
What anamorphic options are available?
We offer anamorphic lenses such as ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare that many shoots want.
Can you provide zoom lenses?
Yes. We stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms come in both full-frame and Super 35 coverage for many uses.
Do you offer vintage lenses?
Yes. We have curated sets of vintage glass, including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals come with protective cases, front and rear caps, and lens data cables where they apply. We can also add follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Peru that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.