Colorist Services

Peruvian grading grows from a craft shaped by the cinematography of Inti Briones. He was Claudia Llosa's DP on Milk of Sorrow and Madeinusa, and the eye behind Francisco Lombardi's later features. That lineage runs through Mario Bassino, Luis Otero Vega, Roberto Maceda Kohatsu, and Daniel Sánchez López. It now reaches the PUCP-trained DP community finishing work on Tondero, Cinesphere, and Maretazo Cine projects.

Our colorist roster covers the Lima post-production hub. Makaco's grading suites finish high-volume advertising and feature work, while Maneki Studio handles commercial and series projects. Gamma Post House supports independent and documentary cuts. Juan Manuel Bustamante runs Cinesphere DI Lima, the only Dolby Vision-certified room in Peru and the country's reference suite for global HDR mastering. Hugo Alegría and Lucho Costa anchor the senior tier, with credits spanning the Asu Mare box-office franchise, Llosa's Berlinale and Sundance work, and the regional commercials the capital's creative agencies produce. DaVinci Resolve and Baselight are ready across the network. The suites are tuned for HDR mastering and Dolby Vision delivery to Latin American broadcast and global streaming specs.

Project matching starts from genre, intended look, delivery specs, and the production's reference grade. From there it narrows to colorists whose recent credits map cleanly to the brief. Those credits include auteur features at the Festival de Lima at PUCP and Festival al Este tier, plus Tondero box-office comedies. They also cover documentary work finishing for Netflix and Disney+ Latin American originals, and commercial campaigns for the capital's luxury agency clients such as Sumy Kujon, Sol Alpaca, and Kuna.

We schedule a look-development pass on sample footage before locking the buy-in. Remote grading sessions are routine for directors and DPs reviewing from Los Angeles, Madrid, Buenos Aires, and Mexico City. The PET timezone aligns with US Eastern Time for real-time supervised sessions. It also lines up with Spanish-speaking partners across Spain and Latin America.

Footage from Peru's three ecosystems brings distinct grading demands. These span high-altitude Andean clarity above 3,400 metres at Cusco, harsh coastal-desert light along the Pacific from Lima to Nazca, and dense Amazon canopy around Iquitos. The colorist team handles each environment fluently. Bilingual Spanish and English working language across the roster keeps supervised sessions, change notes, and final QC moving for Premios Luces, the Festival de Lima, and Ibermedia-funded co-production delivery.