Production Designers
Visionary production designers creating immersive worlds inspired by Peru's Incan ruins, Spanish colonial haciendas, and dramatic Andean highland landscapes.
The production designer is the head of the art department, responsible for creating the entire visual environment of a film or television production. In Peru, this role draws on one of the world's most visually dramatic backdrops — from the citadel of Machu Picchu and the Cusco historic center to the Nazca Lines, Chan Chan's adobe city, and the Sacred Valley's terraced hillsides. Our designers understand how to translate these extraordinary Peruvian settings into compelling screen worlds.
We connect you with production designers who bring deep local knowledge and international-level craft to every project. With access to Lima-based production services through APU Productions and other local partners, our network ensures your production's visual world is built with the right resources across Peru's diverse coast, highland, and Amazon environments.
ACT 01
Capabilities
Complete Production Design Services
From initial concept through final wrap, our production designers build the visual worlds that bring your stories to life.
01
Visual Concept
- World-building design
- Visual language creation
- Color & texture palette
- Period research
- Style guide development
Creative Vision
02
Set Design
- Set construction plans
- Technical drawings
- Model making
- Stage layouts
- Location adaptation
Physical Design
03
Department Leadership
- Art director supervision
- Set decorator coordination
- Props department
- Construction management
- Scenic artists
Team Management
04
Budget & Schedule
- Art department budgeting
- Resource allocation
- Schedule coordination
- Vendor management
- Cost tracking
Production Control
ACT 02
Why Us
Why Choose Our Production Designers
01.
Peruvian Location Expertise
Deep knowledge of Peru's architectural heritage from Machu Picchu and Cusco's Incan-colonial fusion to the Nazca Lines, Chan Chan's adobe complexes, Lima's colonial mansions, and Arequipa's white sillar stone buildings. Our designers know how to capture and enhance Peruvian locations.
02.
International Experience
Production designers with credits on major international features and prestige television. They understand the expectations of studios and streamers working across the Latin American market and navigate Peru's diverse filming environments.
03.
Construction Resources
Established relationships with Peru's skilled craftspeople and local production companies. Access to traditional Andean construction techniques, adobe and stone masonry specialists, and well-stocked equipment resources including Russian Arms and Techno Cranes.
04.
Creative Problem Solving
Innovative approaches that maximize visual impact within budget constraints. Our designers find creative solutions that put every dollar on screen, leveraging Peru's highly competitive production costs and flexible working conditions.
On Location
Production design from PUCP-trained auteur-cinema veterans
Here is how this works in practice. Peruvian production design carries a lineage anchored at PUCP's Facultad de Arte y the Centro Cultural de la PUCP — the training ground that produced Susana Torres, the longtime collaborator behind Claudia Llosa's The Milk of Sorrow and Madeinusa, and key designers including Eduardo Camino, Patricia Bueno, and Pierluigi Santaolalla, whose cross-disciplinary practice spans fitting art and film.
Here is the short of it. Our network reaches into the auteur-cinema circle around Llosa, Francisco Lombardi, Josué Méndez, Daniel and Diego Vega, Salvador del Solar, and Josué León, plus the commercial and series work flowing through Tondero, Cinesphere, La Soga, and the Asu Mare franchise.
Here is the breakdown. Designers are vetted against verified Premios Luces, Festival de Lima at PUCP, Festival al Este, or global co-productions credits before being tied to a brief — Andean village reconstruction for rural Quechua-language drama, colonial-era Cusco and Arequipa church interiors, Republican-era Lima Centro Histórico mansions, pre-Columbian Inca and Nazca period work, or the today's urban the capital palette of Tondero comedy and Netflix-Peru originals.
Here is what that looks like on the ground. The supply chain is location-based rather than studio-anchored — Peru has no Cinecittà-scale soundstage infrastructure, so designers work fluently between practical locations, adapted heritage interiors, and temporary builds at altitude. Andean construction draws on adobe and stone-masonry experts in Cusco, Pisac, and Chinchero, while Lima builds run through Barranco and Miraflores fabrication shops. Sourcing routes through the city artisan markets, Mercado Indio Lima, the Centro Histórico antiquarian network, Pisac and Chinchero textile cooperatives, and the the capital theatre prop network around Teatro Nacional and Gran Teatro Nacional.
Here is how the picture comes together. Designers carry trusted art directors, set decorators, and prop teams into the brief, with full department scaling from a single designer through art-director, draftsperson, model-maker, and scenic-artist teams. Productions get DAFO and Ministerio de Cultura permit coordination for heritage-site shoots at Machu Picchu, Cusco, Sacred Valley, and Nazca, Ibermedia and bilateral co-production paperwork, Ley 26370 framework, and the 18% IGV invoicing standard across the build.
ACT 03
FAQ
Production Design Expertise
What's the difference between a production designer and art director?
The production designer is the head of the art department, responsible for the overall visual concept and working directly with the director. The art director reports to the production designer and oversees the execution of that vision — managing construction, coordinating the team, and handling day-to-day operations.
How do production designers work with Peruvian heritage sites?
Our production designers have extensive experience working with Peru's protected heritage sites, including Machu Picchu, the Cusco historic centre, and the Sacred Valley. They understand MinCultura permit requirements and plan around strict protocols — Machu Picchu prohibits tripods and professional equipment without special authorization.
Can you handle both studio builds and locations?
Peru's production design strength is primarily location-based, covering coast, highlands, and Amazon regions. Our designers excel at adapting and enhancing practical locations, building temporary sets at altitude, and coordinating construction across Peru's challenging but visually extraordinary terrain.
What about period productions in Peru?
Our production designers have extensive experience with historical periods, drawing on Peru's pre-Columbian Incan architecture, Spanish colonial churches and haciendas, and republican-era buildings. They work with local artisans skilled in traditional Andean construction techniques and have access to MinCultura research resources.
Do you provide the full art department?
Yes, we can staff complete art departments scaled to your production. This includes art directors, set decorators, prop masters, construction coordinators, and all supporting roles sourced from Peru's growing crew base with flexible working arrangements.
How do production designers work with other departments?
Production designers collaborate closely with cinematography on lighting requirements, costume on visual palette, VFX on digital extensions, and locations on practical considerations. They're the visual hub coordinating all design elements.
Related Services
Related Creative Roles
ACT 04 — On Set
Need a Production Designer?
Tell us about your production's visual requirements and we'll connect you with world-class design talent.