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Machu Picchu Sunrise - filming location in Peru

DEPT · CREATIVE ROLESROLE · COSTUME DESIGNERSPERU

Costume Designers

Our skilled costume designers draw on Peru's Incan textile mastery and Andean weaving traditions that span thousands of years.

A costume designer creates the clothing and accessories that the cast wears. Wardrobe tells the audience about each character, their era, social status, and story arc. In Peru, costume designers draw on one of the Americas' oldest textile traditions. These run from the fine Incan weaving kept alive in Cusco's Sacred Valley to the bright pollera skirts of Andean communities and Lima's modern fashion scene in Miraflores and Barranco.

We connect you with Peruvian costume designers who bring both artistic vision and hands-on production skill to every project. Our network reaches Lima's production facilities, Cusco's traditional weaving cooperatives, and Andean textile artisans. It also covers the wide range of costume resources that shoots need across Peru's coastal, mountain, and jungle settings.

ACT 01

Capabilities

Complete Costume Services

From concept sketches to final wrap, our costume designers build wardrobes that bring your characters to life.

01

Costume Design

  • Character analysis
  • Period research
  • Sketch & rendering
  • Color coordination
  • Story arc wardrobe

Creative Vision

02

Construction

  • Custom fabrication
  • Pattern making
  • Tailoring & fitting
  • Aging & distressing
  • Specialty pieces

Expert Craftsmanship

03

Sourcing

  • Costume house rentals
  • Vintage acquisition
  • Contemporary shopping
  • Accessory coordination
  • Multiples management

Resource Access

04

Department Management

  • Team coordination
  • Budget tracking
  • Continuity supervision
  • Quick changes
  • Background wardrobe

On-Set Leadership

ACT 02

Why Us

Why Choose Our Costume Designers

01.

Incan & Andean Textile Heritage

Access to Peru's rich textile traditions runs deep, spanning Cusco's traditional Incan weaving cooperatives, alpaca fiber artisans, Andean pollera dress, and Lima's modern fashion scene.

02.

International Production Experience

Our costume professionals work on global shoots across Peru's varied settings, from coastal Lima to the Andes, Sacred Valley, and Amazon. They handle extreme altitude and climate conditions.

03.

Local Textile & Artisan Connections

Relationships with Cusco's weaving cooperatives, Lima's fashion district in Miraflores, Andean alpaca fiber suppliers, and Peru's network of traditional textile artisans run deep across the highlands.

04.

Incan & Colonial Period Expertise

Our designers know pre-Incan, Incan imperial, Spanish colonial, viceroyalty, and independence-era costume well. They bring deep knowledge of Peru's many Indigenous textile traditions from coast to jungle.

On Location

Costume designers between Andean textile heritage and Lima's contemporary fashion scene

Peruvian costume design sits where two worlds meet. On one side stand Andean textile traditions thousands of years deep: Chinchero weavers, Pisac textile market cooperatives, and alpaca and vicuña wool spun and dyed by methods kept since the Incan imperial era. On the other side sits today's Lima fashion industry, centred in Miraflores, Barranco, and San Isidro around houses such as Sol Alpaca, Kuna, and Sumy Kujon.

Designers on the roster carry feature credits in the Claudia Llosa lineage. Susana Torres's work across production design and costume on Milk of Sorrow and Madeinusa anchored a generation of Peruvian costume practice. Patricia Bueno carries that period and present-day work forward across Tondero Producciones, Cinesphere, and Big Bang Films shoots.

The roster's credits run across many landmark films. These include Francisco Lombardi's La Boca del Lobo and Caídos del Cielo period work, Salvador del Solar's Magallanes, and Melina León's Canción sin nombre, the 2019 Cannes Directors' Fortnight selection. The list runs on through Joel Calero's Cielo Oscuro and the Aymara-language imperial-textile reconstruction Óscar Catacora built for Wiñaypacha. Sourcing pipelines run through the Chinchero and Pisac weaving cooperatives, the Mario Vargas Llosa-era theatre wardrobe houses around the Teatro La Plaza circuit, and Lima's vintage and present-day fashion district along Larcomar and Av. Larco.

On any given production, the costume designer runs a wide brief. That covers script breakdown, character analysis, sketch and rendering, and fittings at Lima ateliers or in-studio at Cinesphere. It also covers on-set scene matching and quick-change choreography for Tondero, Big Bang Films, Inca Producciones, Maretazo Cine, and Origami Studio shoots, from prep through to wrap.

Department staffing scales to fit the job. For commercial and fashion work, a single designer may handle it — think Lima Fashion Week, Mistura activations, and Peruvian luxury campaigns for Sol Alpaca, Kuna, and Sumy Kujon. Feature and series production calls for large crews of supervisors, buyers, cutters, stitchers, and set costumers. These crews work at Cinesphere stages and on location across the Sacred Valley, Cusco, Arequipa's white-stone colonial centre, and the Amazon basin around Iquitos.

Period builds span pre-Incan Chimú and Moche, Incan imperial, Spanish colonial viceroyalty, and republican-era pieces. They draw on the alpaca and vicuña fibre suppliers in Cusco and Arequipa and the Quechua-community weavers in the Sacred Valley, with the Ministerio de Cultura guiding heritage-textile use. Bilingual Spanish and English is the standard working language across the roster. It keeps fittings, atelier calls, and on-set communication aligned, from Ibermedia and bilateral co-production reporting with Argentina, Spain, and Brazil through to final delivery.

ACT 03

FAQ

Costume Design Expertise

What services does a costume designer provide?

The costume designer creates each character's look through clothing, working from script analysis through final wrap. The job covers research, sketching designs, sourcing or making costumes, overseeing fittings, and running the costume department on set.

Can you handle period productions?

Yes. Our costume designers specialize in period work across the pre-Incan, Incan imperial, Spanish colonial, viceroyalty, and independence eras. We partner with Cusco's traditional weavers and source genuine Andean textiles and alpaca fibers for period shoots.

How do you handle background costumes?

We provide full background wardrobe services, including sourcing, fitting, and on-set management. Our team dresses large crowd scenes in the right period or modern clothing.

What about specialty costumes like stunts or effects?

We work closely with the stunt and VFX departments on specialty needs. That means making multiples for action scenes, building costumes for wire work, and crafting pieces that work with practical effects.

Do you provide the full costume department?

Yes. We can staff your entire costume department, from the designer through to the set costumers. That includes supervisors, buyers, cutters, stitchers, and truck costumers, as your production scale needs.

How far in advance should we book?

For features that need major build work, book 8-12 weeks before prep. Standard shoots need 4-6 weeks. Commercials can sometimes work on shorter timelines, depending on how complex they are.

ACT 04 — On Set

Need a Costume Designer?

Tell us about your production's wardrobe needs, and we'll connect you with professional costume designers.