Creative Producer Services

Peru's creative-producer pool is shaped by the firms that have defined the country's recent output. Tondero Producciones, led by Miguel Valladares and Fernando Sánchez Aizcorbe, made Asu Mare 1 and Asu Mare 2, which still hold the Peruvian box-office record. Its slate now spans theatrical comedy, prestige drama, and streaming originals. Big Bang Films backed Salvador del Solar's Magallanes plus a range of feature and documentary work. Cinesphere serves as a production-and-post integrator and runs the only Dolby Vision DI room in the country. Maretazo Cine leads the auteur slate, and Inca Producciones, Origami Studio, and La Soga add further depth. Audiovisual Project Perú handles global service production.

Our producers come from that orbit with credits across Festival de Lima at PUCP, Festival al Este, and Premios Luces, plus the Cannes Directors' Fortnight, Sundance, and Berlinale. Their work spans the Peruvian features built by Claudia Llosa, Javier Fuentes-León, Melina León, Salvador del Solar, and Óscar Catacora. Fuentes-León's Contracorriente won the Sundance Audience Award in 2009, the first Peruvian feature to do so. Day to day, producers structure projects against Ley 26370, DAFO funding rounds, and the Ministerio de Cultura permitting framework that governs heritage-site shoots.

Co-production work runs through Ibermedia membership and Peru's bilateral treaty network with Argentina, Spain, and Brazil. Producers then stack that funding with DAFO grant rounds, regional support from the Lima Film Office and Cusco Film Commission, and PromPerú's destination-marketing partnerships, where tourism-aligned content qualifies.

Day-to-day work runs from development through delivery. Producers shape the vision with the director, drawing on rosters that include Llosa, Lombardi, Fuentes-León, Calero, the Vega brothers, del Solar, León, and Catacora. Script and casting planning runs through Talent Group Peru, Magdalena Producciones, and the Norma Martínez network. Crew assembly comes through ANACTP-affiliated production services in Lima. Vendor management covers Cinesphere, Tondero's facilities, and the gear houses that supply the Russian Arms, Techno Crane, and Shotover rigs Peru's location-based industry runs on. Producers also handle Ministerio de Cultura permitting for Machu Picchu, Sacsayhuamán, the Chan Chan archaeological complex, and protected Amazon-basin areas.

Bilingual Spanish and English is the standard working language across the producer roster. It keeps global financiers, Ibermedia partners, festival programmers, and Peruvian crews aligned from greenlight through prep, wrap, and deliverables. That coordination also covers the Festival de Lima, Festival al Este, and Premios Luces submission windows that anchor festival recoupment.