Film Editor Services

Peru's editing community grows from a strong tradition. Eric Williams cut the box-office hits Asu Mare 1 and Asu Mare 2 for Tondero Producciones. These films still hold the Peruvian theatrical record. Gianfranco Annichini worked with Claudia Llosa on Milk of Sorrow and Madeinusa. Those two films earned the Berlinale Golden Bear, the Sundance Special Jury Prize, and an Academy Award nomination.

Several names anchor the senior tier. Roberto Benavides, Manuel Eyzaguirre, and Daniel Vega work in the writer-director-editor mode. The Vega brothers built that mode on Octubre and El Mudo, both with Cannes Un Certain Regard credits. Sandra Rodríguez Mondoñedo leads on documentary, and Frank Gutiérrez covers advertising.

Our editor roster sits in that lineage, and most work out of Lima post houses. Makaco leads the VFX and finishing space, with the widest advertising and feature client list. Maneki Studio handles commercial and series work, while Gamma Post House supports documentary and independent features. Cinesphere offers full production-and-post setup, with the country's only Dolby Vision DI room. Credits span theatrical features for Tondero, Big Bang Films, Inca Producciones, Cinesphere, and Maretazo Cine. They also cover documentary for Netflix and Disney+ Latin American originals, plus heavy advertising for the capital's agencies.

Our matching process weighs genre, format, target rhythm, and the post timeline. From there, we narrow to editors whose recent credits and style fit the brief. That might mean auteur features for Festival de Lima at PUCP and Festival al Este. It can also mean Tondero box-office comedy, documentary work, or campaigns for the capital's luxury and food agencies.

Our editors work in Avid Media Composer, DaVinci Resolve, and Adobe Premiere Pro. Bilingual Spanish and English assistants help on global shoots. They keep a clean, well-translated bin and pass clear notes through to AMC handover and final delivery. Assemblies usually begin during principal photography, so directors can review and adjust coverage before wrap. Remote cuts are routine. Peru's PET timezone matches US Eastern Time for real-time review sessions. These connect North and South American production teams in New York, Atlanta, Mexico City, Bogotá, and Buenos Aires.

Delivery covers Peruvian broadcast standards and DCP for theatrical release. It also meets the streaming specs that Netflix, Disney+, Amazon Prime Video, and HBO Max Latin American originals are finished against. We structure Ibermedia and bilateral co-production reporting for Argentina, Spain, and Brazil partners. This runs through to Festival de Lima, Festival al Este, and Premios Luces deliverables.