Broadcast Delivery

In Peru, broadcast delivery rests on the published tech specs of the major free-to-air and pay-TV operators. These are Latina Televisión, América Televisión, ATV, Panamericana Televisión, TV Perú as the public network, and Willax, plus their streaming arms and Movistar Play under Telefónica del Perú. Each one keeps its own ingest profile. That profile sets the accepted codecs and MXF container structure. It also covers audio channel mapping, EBU R128 and ITU-R BS.1770 loudness targets, captioning workflow, and Spanish-language metadata schema.

Our delivery team works through Cinesphere DI Lima, Tondero Post, and Audiovisual Project Perú Post. It holds the latest spec sheet for each network and builds masters to match the published needs. Files then clear tech acceptance on the first submission. That avoids rejection notes, which can put air dates and DAFO-supported licensing windows at risk.

Some global networks take Peruvian content under licence. These range from Ibermedia-funded co-productions with Spanish, Argentine, or Brazilian public networks, to BBC or Channel 4 in the UK, to US cable and streaming buyers. For all of them, we run dual-standard delivery. This covers both the domestic Peruvian master and the localised global version.

We convert NTSC and PAL frame rates with motion-compensated processing, not simple frame doubling. Audio is remixed to each network's loudness target — ATSC A/85 for US networks and R128 for EBU regions. Closed-caption and Spanish-subtitle files are converted to the receiving network's preferred container. Automated Interra Baton and Venera Pulsar QC runs alongside manual operator review. Each package ships with a written compliance report. It logs video levels, audio loudness, safe-area conformance, and metadata completeness, so the receiving network can sign off without escalation.