Online Conform & QC

Online conform is the tech finishing pass. An OK'd offline edit is rebuilt at full resolution from the raw camera negatives. The VFX, graphics, titles, subtitles, and final audio are all merged in, and the finished master is checked frame-by-frame against the target platform's specs. For Peruvian shoots, that conform runs at Cinesphere DI Lima, the country's largest finishing house. It sits alongside Tondero Post, Audiovisual Project Perú Post, and Cine Lab Lima, where Baselight and DaVinci Resolve Studio sessions pair with Interra Baton and Venera Pulsar automated QC for sign-off.

Sources are mixed across an ARRI Alexa A-camera, RED Komodo or Venice B-roll, and DJI Ronin or drone units. These often come through Filmotechnik Peru and Cinerental Peru rental flows. So the conform team matches multi-codec footage, aligns frame rates, and manages ACES colour to land everything in one clean timeline.

Our finishing team keeps today's ingest specs for the major markets Peruvian content reaches. Domestic broadcast covers Latina Televisión, América Televisión, ATV, TV Perú, and Willax. Streaming covers Movistar Play, Claro Video, Netflix Latin America, Amazon Prime Video LATAM, and Disney+ LATAM. And theatrical covers Cineplanet, Cinemark Perú, UVK Multicines, or Cinépolis Perú. QC sweeps check video gamut and luminance, EBU R128 and ITU-R BS.1770 audio loudness, sync drift, subtitle timing and safe-area checks, complete metadata, and frame-by-frame artefact checks.

When issues surface, we deliver a timecode-precise report. Fixes can then be made before re-submission, rather than setting off a costly rejection cycle. Each master ships with a written compliance sheet, so the TV networks and streamers can sign off without pushback.