Script Consultation & Polishing

Script consultation in Peru sits inside a creative scene. That scene has grown fast over the last two decades. Claudia Llosa's Oscar-nominated Milk of Sorrow and Javier Fuentes-León's Sundance-winning Contracorriente lead the way. Salvador del Solar's Magallanes and Melina León's Song Without a Name mark the same rise. The steady output of Francisco Lombardi and the Vega brothers adds to it. The result is a film vocabulary that reads as clearly Peruvian yet travels worldwide.

Our consultants come out of PUCP Film and the Universidad de Lima screenwriting programmes. They also come from the working ranks of the Peruvian feature industry. Their notes weigh structure and dialogue craft alongside cultural detail. They factor in Quechua and Spanish bilingual registers, Andean cosmology, Amazonian rhythms, post-conflict memory, and the social-class textures of the capital, from San Isidro to the lomas. We never flatten any of it into export-friendly cliché. Each project starts with a clear brief on the funding stage you face. That might be a DAFO grant submission, an Ibermedia co-production, or a private funding round.

We deliver structured coverage within forty-eight to seventy-two hours. Longer features take three to five days, based on draft scope. Notes cover story build, character throughlines, dialogue economy, market position, and production feasibility. That last point matters in Peru. Schedule, altitude, and permit reality can quietly reshape a third act if the script ignores it. Ongoing revision support runs through many drafts. It brings rollout guidance, page-level comments, and dialogue passes ready in Spanish and English.

For projects bound for Ventana Sur, the Lima Film Festival's industry strand, or the Cannes Marché, we tune the document to industry-standard formatting. We also match it to the comparable-titles framework that juries actually reach for. The script then arrives at funding meetings doing the most work it can for the writer and the production.