Script Consultation & Polishing

Here is how this works in practice. Script consultation in Peru sits inside a creative ecosystem that has matured fast over the last two decades — Claudia Llosa's Oscar-nominated Milk of Sorrow, Javier Fuentes-León's Sundance-winning Contracorriente, Salvador del Solar's Magallanes, Melina León's Song Without a Name and the steady output of Francisco Lombardi and the Vega brothers have built a vocabulary that is recognisably Peruvian and travels worldwide.

Here is the short of it. Our consultants come out of PUCP Film, the Universidad de Lima screenwriting programmes and the working ranks of the Peruvian feature industry, so notes weigh structural and dialogue craft alongside cultural specificity — Quechua and Spanish bilingual registers, Andean cosmology, Amazonian rhythms, post-conflict memory and the social-class textures of the capital from San Isidro to the lomas — without flattening them into export-friendly cliché. Each engagement begins with a clear brief on the funding stage you are addressing, whether DAFO grant submission, Ibermedia co-production or a private financing round.

Here is the breakdown. We deliver structured coverage within forty-eight to seventy-two hours, with longer features taking three to five days depending on draft scope. Notes cover story architecture, character throughlines, dialogue economy, market positioning and production feasibility — the last point matters in Peru because schedule, altitude and permit reality can quietly reshape a third act if the script ignores them. Ongoing revision support runs through multiple drafts, with rollout guidance, page-level comments and dialogue passes ready in Spanish and English.

Here is what that looks like on the ground. For projects bound for Ventana Sur, the Lima Film Festival's industry strand or the Cannes Marché we calibrate the document to industry-standard formatting and the comparable-titles framework juries actually reach for, so the script arrives at financing meetings doing the maximum amount of work for the writer and the production.