SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Peruvian production.
Wireless communication and audio systems keep production teams connected and sound flowing without cables. They cover wireless intercoms, IFB feeds, audio hops, and communication networks. These systems are vital when setting up large crews across wide sets or locations.
We supply wireless system packages built for your production's communication and audio needs. Our team handles frequency planning and gear testing to prevent interference. That gives you smooth crew communication and reliable audio across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to map the RF environment and find clean frequencies.
System Design
Designing a connected wireless solution for audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies so all systems run without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
Integrated wireless infrastructure for Peruvian productions
Wireless systems on a Peruvian production go well beyond the boom and lav chain. They cover wireless video links between A-camera and video village, plus wireless lens control for the focus puller running a remote head on a Ronin 2. They also carry IFB feeds to the director and script supervisor, intercom networks across grip and electric, and the audio hops that move multitrack from the cart to a producer's bag-rig.
Our inventory runs Teradek Bolt 4K and Vaxis Storm wireless video transmitters, sourced through Audiovisual Project Perú and Cinesphere Rentals. It also holds Preston FIZ and ARRI WCU-4 lens control systems on their own 2.4 GHz range, plus Tilta Nucleus-M for smaller commercial and documentary jobs out of Lima or Cusco. Intercom runs on Riedel Bolero and Clear-Com FreeSpeak II for ensemble drama. That matters when AD communications must cover a multi-block Centro Histórico night exterior in the capital, or a Sacred Valley unit base spread across many sets.
Our team handles MTC frequency licensing. Peru's Ministerio de Transportes y Comunicaciones needs permits for the high-power wireless video and dense intercom counts that global shoots bring. Before day one, our team runs a full RF survey of each shoot location. Frequency allocation is then logged across every department: wireless audio in the MTC-licensed bands, wireless video on 5 GHz with regional channel selection, lens control on 2.4 GHz set against any WiFi setup, and intercom on the dedicated DECT or 1.9 GHz allocations.
RF tracking continues through the shoot day. On-call technicians re-plan on the fly when a Lima broadcast neighbour fires up a rival signal mid-take. The same coordinator manages the Manú jungle schedules, the Cusco altitude shoots, and the capital coastal shoots across the run.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We handle all production wireless systems, including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning keeps every system working together without interference.
How do you handle frequency allocation?
We scan your locations, find clean frequencies within Peru's legal range, and assign channels to every department. Our team also shares frequency records and helps each department program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village feeds. These give zero-latency transmission, so directors and clients can monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. Our team makes sure lens control frequencies line up with the other wireless systems.
What about Peruvian RF regulations?
We know Peruvian frequency rules well and keep all wireless gear within legal range. Our team can advise on the permits high-power systems need.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain the most from full RF planning.
Related Services
Productions in Peru that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.