Wireless Audio Systems

Here is how this works in practice. Wireless audio in Peru sits inside the MTC (Ministerio de Transportes y Comunicaciones) range framework, with the 700 MHz band reallocated to mobile carriers and professional production wireless pushed into the remaining UHF windows — coordination is now mandatory rather than convenient.

Here is the short of it. Our wireless packages run on Lectrosonics SRc receivers — the rental SKU of choice across Peruvian drama and feature sets from Audiovisual Project Perú audio, El Niño Rentals audio, Sound Service Perú and Audio Pro Perú — with Lectrosonics SMQV and DBSM transmitters, Wisycom MCR54 receivers for high-channel-count productions on América Televisión and Latina drama runs, Sennheiser Digital 6000 where the mix demands it, and Audio Ltd A10 for low-profile body-pack work under wardrobe. Lavalier inventory leans on DPA 4060 and 4061, Sanken COS-11 and Countryman B6 for concealed placement, with full sweat- and humidity-management kit for Lima coastal humidity and Amazon basin operating conditions during the November-April rainy season.

Here is the breakdown. RF running on Peruvian locations means more than picking clean frequencies. Range scans are run at every venue before deployment — necessary in dense urban RF environments like Miraflores, San Isidro and Lima Centro Histórico where MTC-licensed TV networks, América and Latina outside-broadcast trucks and the steady traffic of Peruvian commercial range users all compete for the same bands. Coordination accounts for MTC-licensed TV networks wireless and the looser informal RF presence on remote Cusco, Sacred Valley and Amazon shoots where the noise floor changes character entirely.

Here is what that looks like on the ground. Packages scale from two-channel documentary kits up to forty-plus-channel feature and drama deployments, with IFB systems (Comtek, Lectrosonics IFB, Shure PSM) layered in for director and talent communication. All deployments include backup transmitters, batteries and antenna distribution, and Lima-based operators are ready for productions running tricky multi-channel coverage on DAFO and IGV 18%-eligible shoots and Netflix LatAm, Disney+ and Prime Video originals filming through Peru.