SCENE 01 / WIRELESS AUDIO SYSTEMS
Wireless Audio Systems
Professional wireless microphones and RF coordination for productions throughout Peru.
Wireless audio systems send microphone signals, intercom feeds, and tracking audio across the set without cables. We set frequencies that meet MTC rules at locations across Peru. Our team manages RF challenges from Lima's dense city streets to high-altitude shoots near Cusco. Digital wireless gives clear, reliable audio, so talent can move freely and sound crews stay flexible on tricky sets.
We source wireless audio systems with the channel capacity and frequency planning your production needs across Peru. Our team runs range scans that meet MTC Peruvian frequency rules, sets up the gear, and packs backup units. That keeps your wireless audio free of interference at any location, however complex.
Capabilities
Complete Wireless Solutions
We provide professional wireless audio systems with full frequency coordination, ensuring reliable performance in any production environment.
01
Lavalier Systems
- DPA, Sanken, Countryman mics
- Concealment techniques
- Costume integration
- Sweat and movement management
- Multi-pack configurations
Invisible Audio
02
RF Management
- Frequency coordination
- Spectrum scanning
- Interference avoidance
- Multi-channel systems
- Licensed frequency access
Clean Spectrum
03
Transmitter Systems
- Lectrosonics, Wisycom, Sennheiser
- Bodypack and plug-on units
- Long-range operation
- Encrypted digital systems
- Backup redundancy
Reliable Signal
04
IFB & Comms
- Talent earpiece systems
- Director communication
- Multi-zone coverage
- Crew intercom integration
- Live broadcast feeds
Clear Comms
On Location
RF-coordinated wireless tuned to Peru's MTC post-700 MHz spectrum
Wireless audio in Peru works inside the MTC (Ministerio de Transportes y Comunicaciones) frequency framework. The 700 MHz band now goes to mobile carriers, which pushes pro production wireless into the UHF windows left open. Planning is now required, not just convenient.
Our wireless packages run on Lectrosonics SRc receivers, the rental SKU of choice across Peruvian drama and feature sets. Audio crews like Audiovisual Project Perú, El Niño Rentals, Sound Service Perú and Audio Pro Perú all lean on them. We pair them with Lectrosonics SMQV and DBSM transmitters and Wisycom MCR54 receivers for high-channel-count shoots on América Televisión and Latina drama runs. Sennheiser Digital 6000 goes in where the mix demands it, and Audio Ltd A10 handles low-profile body-pack work under wardrobe. Our lavalier stock leans on DPA 4060 and 4061, Sanken COS-11 and Countryman B6 for concealed placement. Each kit ships with full sweat- and humidity-management gear for Lima's coastal damp and Amazon basin conditions during the November-April rainy season.
RF work at Peruvian locations means more than picking clean frequencies. Range scans run at each venue before deployment. They matter most in dense urban RF zones like Miraflores, San Isidro and Lima Centro Histórico, where MTC-licensed TV networks, América and Latina outside-broadcast trucks, and steady Peruvian commercial traffic all fight for the same bands. Planning also weighs the wireless of MTC-licensed TV networks and the looser informal RF on remote Cusco, Sacred Valley and Amazon shoots, where the noise floor shifts character completely.
Packages scale from two-channel documentary kits up to forty-plus-channel feature and drama deployments. IFB systems (Comtek, Lectrosonics IFB, Shure PSM) layer in for director and talent communication. All deployments ship with backup transmitters, batteries and antenna distribution. Lima-based operators are ready for tricky multi-channel coverage on DAFO- and IGV-18%-eligible shoots, plus Netflix LatAm, Disney+ and Prime Video originals filming across Peru.
FAQ
Wireless Equipment Inventory
What wireless systems do you provide?
We provide pro wireless systems from top makers: Lectrosonics (Digital Hybrid, DSQD), Wisycom (MCR series), Sennheiser (Digital 6000, EW series), and Audio Ltd (A10). System choice depends on your production needs, budget, and where you shoot.
How do you handle frequency coordination in Peru?
We manage frequency planning under Peruvian RF rules (ANFR). This covers range scans at your locations, planning around other shoots that share venues, and staying compliant with licensed frequency bands. Our team handles the technical side, so your production stays legal and free of interference.
What lavalier microphones do you recommend?
We provide premium lavaliers from DPA (4060, 4061, 6060), Sanken (COS-11), and Countryman (B6). Microphone choice depends on the job, so we recommend one based on concealment needs, sound traits, and fit with wardrobe and talent.
Can you support large multi-channel productions?
Yes. We often support shoots that need 20, 30, or 40+ wireless channels, from feature films to large-scale commercials and live events. Our packages include frequency planning, enough receivers, backup systems, and skilled operators to run complex wireless setups.
What about IFB and communication systems?
We provide IFB (interruptible foldback) systems for talent earpieces, director communication, and live broadcast feeds. These include Comtek, Lectrosonics IFB, and Shure PSM units, tuned to your production's wireless microphone frequencies.
Do wireless systems come with operators?
Wireless gear rents on its own or with skilled sound teams who handle all the wireless. For complex setups, we recommend adding operators who specialize in RF planning and wiring talent.
Related Services
Productions in Peru that need this often pair it with Boom Operators, Sound Recordist Teams, and Location Sound Services for full coverage. Most projects also draw on Wireless Microphone Systems and Wireless Systems.
On Set
Get Wireless Audio Systems
Tell us about your production's wireless requirements and we'll design the right system package.