Post-Production Supervisor Services

Peru's post-prod sector is based in Lima. Makaco is the top VFX house for advertising and theatrical cinema. Maneki Studio covers animation, compositing and motion, while Gamma Post House handles online and grading. In-house post departments round it out at Tondero, Big Bang, Cinesphere, Inca Producciones and Audiovisual Project Perú. Our post-prod supervisors come out of those rooms and know the colourists, VFX leads and sound designers by name.

Our supervisors run multi-vendor pipelines that span edit, colour, VFX, sound edit, ADR and final mix. They manage 4K and HDR finishing for streaming and broadcast. The team supervises Dolby surround mix stages in Lima and sets up DCP mastering for theatrical release. These masters serve the Peruvian and wider Latin American distribution chain. Schedules are written against picture-lock dates. Those dates must land cleanly inside the DAFO Ley 26370 grant and tax-credit certification workflow with the Ministerio de Cultura. That way, qualifying post-prod spend documents right through to the final certification file.

Day to day, the supervisor sits at the centre of the data flow. Our post supervisors set up dailies and review sessions between Lima edit rooms and the outside post houses. They manage shot tracking, version control and quality control across VFX vendors and freelance compositors. They also supervise sound edit and ADR sessions at the capital mix stages. The team holds the schedule against the final mix, online conform, HDR colour grade and SDR trim pass.

Broadcast masters go out to América Televisión, Latina, ATV and the Peruvian network chain, plus regional LATAM TV networks. DCPs go to the Peruvian theatrical chain via Cineplanet, Cinemark and UVK, and to global distributors through Ibermedia-supported routes. Streaming-specific deliverables go to Netflix LATAM, Disney+ LATAM, Amazon Prime LATAM, Apple TV+ and other sites, each with their own QC specs and IMF packaging.

Where the production carries an Ibermedia or bilateral co-production treaty plan, the supervisor structures the post spend to clear two checks. These plans cover the 1989 Latin American Co-Production Agreement plus the deals with Argentina, Spain, Brazil, Mexico and Colombia. The spend must pass both the DAFO certification and the points test that the Ministerio de Cultura reviews on final delivery. Cloud-based remote tools bridge global partners, while IGV-invoiced budgets in PEN soles close back to the production accountant.