Skip to Main Content
Fixers in Peru
Start typing to search...
Ollantaytambo Ruins - filming location in Peru

DEPT · SUPPORT ROLESROLE · PRODUCTION MANAGER SERVICESPERU

Production Manager Services

We plan operations and run logistics so workflows stay smooth and shoots run seamlessly across Peru.

Peru's production scene spans three very different zones. The Pacific coast wraps around Lima, the Andean highlands hold Cusco and the Sacred Valley, and the Amazon basin sits to the east. Each zone brings its own hurdles. A production manager here must handle MinCultura sign-off and Machu Picchu's tight filming rules. They set up altitude health protocols for the crew and clear customs through SUNAT. The job also means running a shoot in one of the world's most varied countries. No special film visa exists, which makes crew permitting harder.

Through NeedAFixer, we connect you with production managers skilled in Peruvian film production. Our network knows PromPerú Film Commission support, Ibermedia co-production routes, and the day-to-day realities of shoots across Lima, Cusco, Arequipa, and the Amazon. Each manager brings strong vendor ties, Spanish-speaking crew planning, and the administrative skill to keep your Peruvian production on schedule and on budget.

ACT 01

Capabilities

Production Management Expertise

We connect you with seasoned production managers who run daily operations, coordinate departments, and keep your production moving smoothly.

01

Daily Operations

  • Call sheet management
  • Schedule execution
  • Crew coordination
  • Set logistics
  • Wrap procedures

Operational Control

02

Department Liaison

  • Cross-department communication
  • Resource allocation
  • Problem escalation
  • Priority management
  • Status reporting

Communication Hub

03

Logistics

  • Equipment moves
  • Transportation coordination
  • Basecamp management
  • Catering oversight
  • Facility management

Logistics Mastery

04

Compliance

  • Safety protocols
  • Union requirements
  • Permit compliance
  • Insurance coordination
  • Documentation

Compliance Excellence

ACT 02

Why Us

Why Choose Our Production Managers

01.

Peruvian Regulatory Expertise

Our production managers are fluent in MinCultura sign-off, Machu Picchu filming rules, DGAC drone permits, and the Peruvian visa and labour rules that foreign shoots face.

02.

Budget & Incentive Management

Our managers know Peru Film Incentive structures, Ibermedia grants, and MinCultura Economic Stimulus programmes inside out. That knowledge helps your budget tap every bit of available support while keeping local costs in check.

03.

Crew & Vendor Network

Our managers have built relationships with Peruvian crew across Lima, Cusco, Arequipa, and the regions. They also work with trusted vendors and gear suppliers such as Russian Arm, Techno Cranes, and Shotover systems.

04.

Studio & Location Knowledge

Our managers know Lima's shoot service firms well, such as APU Productions and Chita Films. They also handle location logistics from Machu Picchu and the Sacred Valley to the Amazon jungle, the Pacific coastline, and Andean highland settings.

On Location

Operational command across Peru's coast, Andes and Amazon shoots

Production managers on our Peru roster have built careers across Lima feature work at Tondero, Cinesphere, Big Bang Films, Audiovisual Project Perú, and Inca Producciones. They have also handled the wave of Netflix Latin America and Amazon Studios commissions that have come into the country. That work falls under the Ley 26370 rebates framework and Ibermedia co-production support, run by DAFO and the Ministerio de Cultura.

They are fluent in the regulatory layer that global producers usually need translated on arrival. That layer covers DAFO certification for rebates eligibility, Ibermedia application forms, and SUNAT customs ATA carnet planning for inbound camera packages. It also covers IGV 18 percent invoicing and the EsSalud and SCTR workplace insurance regime set by Ley 29783. On top of that come the AFP and ONP retirement forms that govern Peruvian crew payroll in soles. They know how no-union flexibility and 12 to 14 hour shooting days interact with Ministerio de Trabajo labour oversight and SUNAFIL inspection authority. For line producers arriving from US, European, and Latin American studios, they translate all of this.

On a shooting day, our production managers in Peru drive call-sheet execution in Spanish and English. They run basecamp logistics and plan transport across the Pan-American Highway from Tumbes to Tacna and the Carretera Central from Lima up to Huancayo. They set up altitude protocols at Cusco's 3,400 metres and on Andean passes above 4,500 metres. The day also covers SUNAFIL labour inspections, SCTR-backed safety liaison, and department escalations.

Our managers have built relationships across Lima's shoot service firms, such as APU Productions, Chita Films, Tondero, and Cinesphere. They know the realities of shooting in many regions. That covers the central capital, Cusco and the Sacred Valley, and the Colca Canyon out of Arequipa. It runs on to the floating reed islands of Lake Titicaca, Iquitos and the Amazon riverboat routes, and the desert sites at Nazca and Paracas. They negotiate vendor terms with rental houses, handle IGV invoicing with Peruvian contadores, and protect the qualifying-spend records that DAFO needs for Ibermedia and Ley 26370 audits. We match production managers by scale, altitude needs, and the bilingual Spanish-Quechua-Aymara skill the Peru shoot demands.

ACT 03

FAQ

Frequently Asked Questions

What are typical production timelines in Peru?

Peruvian timelines must account for altitude, weather, and MinCultura permitting. Cusco sits at 3,400m, so crews need time to adjust. A standard feature usually needs 4-8 weeks of pre-production, 5-10 weeks of principal photography, and 2-3 weeks of wrap. Machu Picchu permits are very tight, and tripods and pro gear need special sign-off. Rainy season in the highlands runs November-March.

How do production managers navigate Peruvian film incentives?

A skilled Peruvian production manager helps you tap available incentives, including Ibermedia grants and MinCultura Economic Stimulus programmes. Peru's low pricing and no-union flexibility add built-in cost advantages, and 12-14 hour shooting days are standard. A local manager helps you make the most of all of it.

What do crew rates look like in Peru?

Peruvian crew rates are very competitive by global standards. With no union structures, 12-14 hour shooting days stay flexible. Rates differ between Lima's higher costs and the regions. A production manager with local experience helps you budget well and tap the deep gear inventory held by Lima-based service firms.

How do you match a production manager to my production?

We review your project's scale, budget, shooting format, and logistical needs, then suggest production managers with the right experience. Our team looks for pros who have run similar budgets and production types, so they can hit the ground running.

How does a production manager differ from a line producer?

The roles overlap a lot and are sometimes combined on smaller shoots. Mostly, the line producer makes the big budget and scheduling calls and reports to the producer. The production manager, meanwhile, runs the detailed day-to-day work. On larger shoots, the two roles plan closely together.

ACT 04 — On Set

Need a Production Manager?

Let's match you with operational expertise.