LED Lighting Systems

LED is now the default lighting layer on Peruvian feature, commercial, and streamer drama sets, and the stock at Lima rental houses shows it. Our LED packages come through Audiovisual Project Perú, El Niño Rentals, and Filmtek Perú — the electric departments that supply Tondero, Cinesphere, and DAFO-backed Peruvian shoots. Each package is built around the fixtures the capital's gaffers ask for by name.

ARRI SkyPanel S60 and S30 take the soft-panel spots, while Aputure 600d and 1200d cover harder COB throws. Litepanels Gemini and Mole-Richardson Vari-Lite widen the cinema-LED range. Astera Titan tubes, plus Helios and Hydra panels, handle the pixel-mapped and practical work. That work is now common on América Televisión, Latina, and global co-productions shooting through DAFO and Ministerio de Cultura rebates. ARRI Orbiter fills the gap when the DP wants the cleanest skin tones and highest TLCI numbers. Those go to Netflix LatAm, Disney+, and Prime Video deliveries against the IGV 18% tax-recovery window.

Control and power gear counts as part of the package, not an afterthought. We name DMX over wired and wireless (LumenRadio CRMX), brand apps for ARRI, Aputure, and Astera fixtures, and full lighting consoles. These serve shoots running pixel-mapped looks, cyclorama work at Tondero stages, or greenscreen at Lima studio floors. Battery-powered LED kits run on V-mount and Gold-mount packs for shoots inside Cusco colonial-church interiors, Machu Picchu citadel access windows, and Amazon lodges. In those spots, hauling in power packs is tough or barred by INC and SERNANP.

Lima-based gaffers fluent in today's LED workflow — DMX patching, wireless commissioning, and LUT-matched color against the DP's monitor — can be booked alongside the gear. Our packages also plan for the 10-15% performance drop at Cusco and Sacred Valley altitudes, which catches lighting riggers used to sea-level stock off guard.