SCENE 01 / CABLE CAM SYSTEMS
Cable Cam Systems
Dynamic aerial coverage for your Peruvian production.
Cable cam systems hang cameras on motorized carriages that ride along tensioned wire spans. This gives smooth, repeatable overhead and side-to-side tracking shots. These rigs suit venues like the Estadio Nacional in Lima, outdoor events in the Sacred Valley, and dramatic Andean spots where normal camera support cannot reach.
We source cable cam systems and skilled operators to match your Peruvian venue and shot needs. Our team handles the rigging, safety certification, and tech rehearsals, so your cable cam gives smooth, reliable camera movement across every shoot day.
Capabilities
Cable Cam Services
Professional wire cam systems for events, sports, and film production.
01
System Types
- Point-to-point cables
- Multi-dimensional rigs
- Spidercam-style 3D
- Compact systems
- Custom configurations
Versatile Systems
02
Camera Support
- Cinema cameras
- Broadcast cameras
- Gimbals & stabilizers
- Live transmission
- Remote control
Any Camera
03
Applications
- Sports events
- Concerts & festivals
- Film & TV
- Stadium coverage
- Large venues
Diverse Uses
04
Full Service
- Rigging crews
- Operators
- Safety coordination
- Permit assistance
- Insurance
Complete Support
Professional Cable Cam Solutions
Capabilities
Our Process
Site Survey
Reviewing your venue or location for cable cam setup and coverage needs.
System Design
Designing the cable cam system around shot needs, travel distance, and venue limits.
Installation
Pro rigging setup with full safety protocols and backup systems.
Operation
Pro operation during your event or production, with real-time changes as needed.
On Location
Wire-cam rigs imported per-project for Peruvian venues
In Peru, cable cam systems stay a specialty-import service rather than a local rental type. Sky Cam and Spidercam-equivalent rigs are rare in country, so our team sources them per-project. We draw on the Brazilian and Chilean operator pools that supply Globo, Mediapro Sur, and the Latin American broadcast networks.
Several venues drive demand. The Estadio Nacional in Lima hosts global football fixtures and Selección Peruana matches. The open-air concert calendar fills Costa Verde and the Anfiteatro del Parque de la Exposición. The Sacred Valley draws Tondero feature work and Llosa's recent magical-realist unit pieces. The dramatic Cordillera Blanca and Colca Canyon backdrops sit where classic cranes and dolly support cannot reach.
Point-to-point spans of two hundred metres or more carry cinema cameras and broadcast packages along set flight paths. Multi-dimensional Spidercam-style systems add three-axis movement over stadium pitches, festival main stages, and the Mistura food-festival main hall. Compact systems handle the smaller commercial and brand-activation work. Lima's agency network orders that through APU Productions, Chita Films, and GoPeruFilms.
Each cable-cam project in Peru starts with a site survey, because the venue and the anchor-point engineering set the system design. Andean elevation, coastal humidity, and the Amazon rainforest canopy each place different rigging loads and safety demands on the rig. We build rigging crews through the imported operator pool, and senior riggers shadow Peruvian assistants for skill transfer on the longer jobs. Our team also handles the SUNAT carnet records for imported wire-cam parts, plus the MTC and Ministerio de Transportes forms for any rig that spans public infrastructure.
Fitting timelines run one day for compact point-to-point systems and three to five days for full multi-dimensional builds in stadiums. Backup cables, emergency braking, and fail-safe redundancy come as standard, and we handle full aviation-grade insurance and DAFO crew records for unionised technicians. Live transmission and remote camera control link the wire-cam feeds into the wider broadcast or cinema package. IGV at 18% applies to invoicing, and final delivery is set up with the Lima production house running the wider shoot.
FAQ
Frequently Asked Questions
What's the difference between cable cam types?
Point-to-point cable cams travel along one cable between two anchor points, which gives straight-line movement. Multi-dimensional systems like Spidercam use many cables for full 3D movement across the X, Y, and Z axes.
How much space can a cable cam cover?
Spans differ by system. Point-to-point rigs can cover hundreds of meters, while 3D systems mostly cover areas up to 100m x 100m or more. Our team designs each rig to fit your venue and coverage needs.
Are cable cams safe for live events?
Yes. Pro cable cam systems carry many safety backups, such as spare cables, emergency braking, and fail-safe systems. Our crews follow strict safety protocols and carry full insurance.
Can you operate over crowds?
With the right safety systems, permits, and insurance, cable cams can fly over audience areas. This calls for special gear, safety protocols, and often planning with venue management and local authorities.
What cameras work with cable cams?
Cable cams can carry many cameras, from compact rigs up to large cinema cameras with stabilized heads. The system design accounts for camera weight and any live transmission needs.
How long does installation take?
Installation time depends on the system and the venue. Simple point-to-point rigs can go up in a day, while complex multi-dimensional builds in large venues can need several days.
Related Services
Productions in Peru that need this often pair it with Wire Cam Systems, Helicopter Filming, and Aerial Drone Services for full coverage. Most projects also draw on Portable Power Solutions and Drone Videography.
On Set
Need Cable Cam Coverage?
Tell us about your venue and coverage needs and we'll design the right system.